aka Dingo Virgin, El Alien, Bert Camembert, Zero, etc... Daevid Allen is one of the most longstanding, colorful and prolific artists of the progressive era. Leaving his native Australia in the early 1960s, Allen had already experienced the beats of Paris before arriving in Canterbury, where as luck would have it, he ended up as a border at Honor Wyatt's home. In between trips to Majorca, Spain, the Soft Machine was eventually born at the very beginning of London's underground era. Allen was left in France, but only to witness the student riots of 1968.
The original "Wohngemeinschaft" from Munich, Amon Düül's mixture of politics and music were born straight out of the 60s. Musically, however, it's unessential listening. All releases were culled from recording sessions held in 1968.
Led by Chris Karrer, the musical half of the Munich commune hippie band of the same name; a little to rough around the edges for prog standards, but most certainly not to be overlooked; Amon Düül II are Germany's finest psychedelic sons.
Led by Demis Roussos, Aphrodite's Child found success throughout Europe with pop singles, eventually residing in Paris, France. Their legacy however is the posthumously released psychedelic masterpiece, 666, and its creator, Vangelis.
Always driven by Vincent Crane's keyboards, Atomic Rooster road a firm line between the hard and progressive. Crane and drummer Carl Palmer, first together in Arthur Brown's band, made one album before Palmer was off to ELP. The band hit their stride however after John DuCann and Paul Hammond joined. They released two albums in 1971, with vocalist Pete French joining for In Hearing of, generally regarded as their best. That didn't last, as the band was always beset with personnel changes.
Combining the talents of Howard Werth on vocals and acoustic guitar and Keith Gemmell on saxophone, with the rhythm section of Trevor Williams and Tony Connor, Audience's second album (first on Charisma) will appeal to most fans of progressive rock.