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Latest news: Work has begun on The Strawberry Bricks Companion, a curated and annotated discography of the artists and groups from the timeline, 1967 to present. Due sometime in the future.

Buy the book: The third edition of The Strawberry Bricks Guide To Progressive Rock is available for individual purchase through your country's Amazon website, including local shipping and Prime benefits: Amazon.com (US) | Amazon.co.uk (UK) | Amazon.ca (CA) | Amazon.de (DE) | Amazon.fr (FR) | Amazon.es (ES) | Amazon.it (IT) | Amazon.jp (JP) | Amazon.com.au (AU)

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Reviews for the Third Edition

Reviews for the third edition of The Strawberry Bricks Guide to Progressive rock (will be updated).

Totally missed this review! Thank you Pete Pardo and Sea of Tranquility!

Cured > Hackett, Steve

Artist: Steve Hackett
Label: Charisma
Catalog#: 6302 153
Format: Vinyl
Country: United States
Released: 1981

Defector > Hackett, Steve

Artist: Steve Hackett
Label: Charisma, Mercury
Catalog#: CL-1-3103, CL-1-3103
Format: Vinyl
Country: United States
Released: 1980
Strawberry Bricks Entry: 
Steve Hackett's next album, Defector, was stylistically similar to his previous album, Spectral Mornings. Again recorded with his band, it's another strong showing from the former Genesis guitarist. The bass pedals are in force for the opening "The Steppes," providing the foundation for another of Hackett's big instrumentals. His guitar soars above the plodding rhythm, setting the stage for the next track, "Time to Get Out." It's a classic up-tempo Hackett song, with Pete Hicks again providing a capable vocal (albeit to some strange lyrics).

The Bodast Tapes > Howe, Steve

Artist: Bodast featuring Steve Howe
Label: Cherry Red
Catalog#: BRED 12
Format: Vinyl
Country: France
Released: 1981

The Steve Howe Album > Howe, Steve

Artist: Steve Howe
Label: Atlantic
Catalog#: SD 19243
Format: Vinyl
Country: United States
Released: 1979-11
Strawberry Bricks Entry: 
Yes guitarist Steve Howe released his first solo album Beginnings in 1975 when all the members of Yes were on sabbatical recording solo albums. Perhaps the most disappointing from the lot, the album was oddly produced and lacked the epic songwriting of Yes; and then there was the issue with Howe’s singing... But his bass playing aside, it did feature his exemplary guitar playing; after all he was close to the start of a five year run of being voted Guitar Player magazine’s Best Overall Guitarist. That said, the album charted on both sides of the Atlantic, even nearing the Top 20 in the UK.

Beginnings > Howe, Steve

Artist: Steve Howe
Label: Atlantic
Catalog#: SD 18154
Format: Vinyl
Country: United States
Released: 1975

Western Culture > Henry Cow

Artist: Henry Cow
Label: Interzone
Catalog#: IZ 1001
Format: Vinyl
Country: United States
Released: 1980

Concerts > Henry Cow

Artist: Henry Cow
Label: Caroline (UK)
Catalog#: CAD 3002
Format: Vinyl
Country: United Kingdom
Released: 1976

Desperate Straights > Henry Cow

Artist: Slapp Happy / Henry Cow
Label: Virgin
Catalog#: V 2024
Format: Vinyl
Country: United Kingdom
Released: 1975

In Praise Of Learning > Henry Cow

Artist: Henry Cow
Label: Red Records (US)
Catalog#: RED 003
Format: Vinyl
Country: United States
Released: 1975
Strawberry Bricks Entry: 
Following a BBC Top Gear session in June 1974, Henry Cow eventually merged with the German-Anglo band Slapp Happy. Originally from Hamburg, the trio set up shop in the UK after signing with Virgin Records; they first re-recorded their second album, Casablanca Moon, after Polydor refused to release it (recorded with Faust, the original recording eventually saw release as Acnalbasac Noom in 1980).

Unrest > Henry Cow

Artist: Henry Cow
Label: Red Records (US)
Catalog#: RED 002
Format: Vinyl
Country: United States
Released: 1974
Strawberry Bricks Entry: 
Lindsay Cooper, previously with the folk band Comus, replaced Geoff Leigh for Henry Cow's second album, Unrest, released in May 1974, again for Virgin Records. The opener, "Bittern Storm Over Ulm," is somehow based on The Yardbirds' "Got to Hurry." Nevermind the how, it is one of the most listenable tracks on the album; "Half Asleep; Half Awake" is introduced by a somber piano, but as it unfolds with the band playing, it reveals a delightfully melodic tune, though one turned sideways once the improvisation begins.